Episode 185 – LIVE from the FirstGlance Film Festival – Filmmakers Round Table
The FirstGlance Film Festival began in 1996 in the basement of a small theater in Center City Philadelphia. It started as a small theatre company in Philadelphia that wanted to help fellow filmmakers get their projects shown in a public venue for others to enjoy. Its mission was a one time weekend to show projects that might otherwise not be seen by moviegoers in the Philadelphia area. With a rented video projector and a bunch of large screen TVs, they had a successful weekend showing about 20 projects to about 150 people…The FirstGlance Film Festival was born.
FirstGlance decided to move forward with film festivals and make its event annual. With filmmaker interest, their sister festival opened in Burbank California in 2000 to a similar audience in a 35 seat screening room and has also become a growing annual event.
To date, FirstGlance has produced thirty two film festivals, shown over 2000 award winning films to over 150,000 attendees and over 300,000 online viewers of the Short Online Contest in its 14th incarnation in 2015.
Filmmakers Round Table
— Austin Kase
— Robert Benjamin Jaffe
— Andre Duza
Special Thanks to Home Grown Coffee and Creations for allowing us the space to host this roundtable discussion
— John Carpenter – is an American film director, screenwriter, producer, musician, editor and composer. Although Carpenter has worked with various film genres, he is associated most commonly with horror, action and science fiction films of the 1970s and 1980s.
— Halloween – is a 1978 American slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Donald Pleasence and Jamie Lee Curtis in her film debut. The film is the first installment of the Halloween franchise. In the film, on Halloween night in 1963, Michael Myers murders his sister in the fictional Midwestern town of Haddonfield, Illinois. He escapes on October 30, 1978 from Smith’s Grove Sanitarium, and returns home to kill again. The next day, Halloween, Michael stalks teenager Laurie Strode and her friends, while Michael’s psychiatrist, Dr. Sam Loomis, pursues his patient.
— The Thing – is a 1982 American science-fiction horror film directed by John Carpenter, written by Bill Lancaster, and starring Kurt Russell. The film’s title refers to its primary antagonist: a parasitic extraterrestrial lifeform that assimilates other organisms and in turn imitates them. The Thing infiltrates an Antarctic research station, taking the appearance of the researchers that it absorbs, and paranoia develops within the group.
— They Live – is a 1988 American satirical science fiction action horror film written and directed by John Carpenter. The film stars Roddy Piper, Keith David, and Meg Foster. It follows an unnamed drifter (referred to as “John Nada” in the film’s credits) who discovers that the ruling class are in fact aliens concealing their appearance and manipulating people to spend money, breed, and accept the status quo with subliminal messages in mass media. They Live is based on the 1963 short story, “Eight O’Clock in the Morning” by Ray Nelson.
— Assault on Precinct 13 – is a 1976 American independent action thriller film written, directed, scored and edited by John Carpenter. It stars Austin Stoker as a police officer who defends a defunct precinct against an attack by a relentless criminal gang, along with Darwin Joston as a convicted murderer who helps him. Laurie Zimmer and Tony Burton co-star as other defenders of the precinct.
— Big Trouble in Little China – is a 1986 American fantasy martial arts comedy film directed by John Carpenter and starring Kurt Russell, Kim Cattrall, Dennis Dun, and James Hong. The film tells the story of Jack Burton, who helps his friend Wang Chi rescue Wang’s green-eyed fiancée from bandits in San Francisco’s Chinatown. They go into the mysterious underworld beneath Chinatown, where they face an ancient sorcerer named David Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.
— Hostel – is a 2005 American horror film written and directed by Eli Roth. It stars Jay Hernandez and was produced by Mike Fleiss, Eli Roth, and Chris Briggs; Boaz Yakin, Scott Spiegel, and Quentin Tarantino are executive producers. It is the first installment of the Hostel trilogy, followed by Hostel: Part II (2007) and Hostel: Part III (2011). The film tells the story of two college students traveling across Europe, who find themselves preyed upon by a mysterious group that tortures and kills kidnapped victims.
— Takashi Miike – is a highly prolific and controversial Japanese filmmaker. He has directed over ninety theatrical, video, and television productions since his debut in 1991. Miike is credited with directing fifteen productions in the years 2001 and 2002 alone. His films range from violent and bizarre to dramatic and family-friendly.
— IT (2017) – a 2017 American supernatural horror film directed by Andy Muschietti, based on the 1986 novel of the same name by Stephen King. The screenplay is by Chase Palmer, Cary Fukunaga and Gary Dauberman. The first of a planned duology, the film tells the story of seven children in Derry, Maine, who are terrorized by the eponymous being, only to face their own personal demons in the process.
— IT (miniseries) – is a 1990 American supernatural horror drama mini-series directed by Tommy Lee Wallace and adapted by Lawrence D. Cohen from the Stephen King novel of the same name. The story revolves around a predatory shapeshifter which has the ability to transform itself into its prey’s worst fears, allowing it to exploit the phobias of its victims. It mostly takes the form of a sadistic, wisecracking clown called Pennywise played by Tim Curry. The protagonists are The Lucky Seven, or The Losers Club, a group of outcast kids who discover Pennywise and vow to destroy him by any means necessary.
— IT (novel) – is a 1986 horror novel by American author Stephen King. It was his 22nd book and 18th novel written under his own name. The story follows the experiences of seven children as they are terrorized by a being that exploits the fears and phobias of its victims to disguise itself while hunting its prey. “It” primarily appears in the form of a clown to attract its preferred prey of young children. The novel is told through narratives alternating between two time periods, and is largely told in the third-person omniscient mode. It deals with themes that eventually became King staples: the power of memory, childhood trauma and its recurrent echoes in adulthood, the ugliness lurking behind a façade of small-town quaintness, and overcoming evil through mutual trust and sacrifice.
— Get Out – is a 2017 American horror film written, co-produced and directed by Jordan Peele, in his directorial debut. The film stars Daniel Kaluuya, Allison Williams, Bradley Whitford, Caleb Landry Jones, Stephen Root, LaKeith Stanfield and Catherine Keener, and follows a young interracial couple who visit the mysterious estate of the woman’s parents.
— The Purge – is a 2013 American dystopian horror film written and directed by James DeMonaco and is the first installment in The Purge franchise. The film stars Ethan Hawke, Lena Headey, Adelaide Kane and Max Burkholder as a family held hostage during “The Purge,” which is a 12-hour time period where all illegal acts are de-criminalized.
— Easy Rider – is a 1969 American independent road drama film written by Peter Fonda, Dennis Hopper, and Terry Southern, produced by Fonda, and directed by Hopper. Fonda and Hopper played two bikers who travel through the American Southwest and South carrying the proceeds from a drug deal. The success of Easy Rider helped spark the New Hollywood era of filmmaking during the early 1970s.
— Friend Request – A popular college student graciously accepts a social outcast’s online friend request, but soon finds herself fighting a demonic presence that wants to make her lonely by killing her closest friends.
— Black Mirror – is a British science fiction television anthology series created by Charlie Brooker. It centres around dark and satirical themes that examine modern society, particularly with regard to the unanticipated consequences of new technologies. Episodes are standalone works, usually set in an alternative present or the near future.